Your music in 5 words:

"A cacophany in hushed tones"

from littlevillagemag.com :

Songs of Violence distills Cacciatore’s knack for hooky melodies, fuzzed-out guitar riffage and moody melancholia in ways that contain traces of his inspirations without sounding derivative. It is probably no accident that some of his favorite acts, like Sonic Youth and Yo La Tengo, are populated by record collectors whose music is more than the sum of its parts, something that is reflected in his group’s playful bio:

Good Morning Midnight began spontaneously, like a trip for ice cream or human

combustion, when a record store in Iowa became sentient and began immediately devouring

itself. The psychedelic folk music was gnashed to bits with every mouthful, the country records

ended up smeared in dissonance from a stack of 90’s rock albums someone set aside but never

bought, the expensive Brian Eno reissues tried to sneak out with the barrelhouse piano LPs

before they became their own snack.

Charlie plays in Good Morning Midnight and Grand Champ

xxgoodmorningmidnight.bandcamp.com
soundcloud.com/xxgoodmorningmidnight 

media:

desmoinesmc.com/gdp-band-hype-good-morning-midnight/ 

Interview in dailynebraskan.com/culture/q-a-charlie-cacciatore-on-solo-project-good-morning-midnight

DN: How would you describe your music overall?

CC: I try to cover a lot of different territory. Shapeshifting is a keyword that I would not deny. There’s a writer that wrote a bio for me, and there’s a one-liner that’s “a cacophony in hushed tones,” and that really resonates with me. I’d say that my music is pretty dissonant, and I actively go for a lot of dissonance, but at the same time, it’s like a clean, dirty kind of thing. Like a dissonance with beauty kind of thing. The yin-yang to that. A totally different way to approach that question — me and my friends invented a term called I-80 emo because we all live along I-80, and we all play in each other’s bands.

wetheitalians.com interview